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by: Elsa Lassoux

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MDINA // MEDINA SAGE

(b. Corpus Christi, Texas, USA) 

Medina is a multidisciplinary artist, writer, and expressive arts mentor. She approaches art as an active vehicle for personal transformation and collective renewal. By integrating sacred symbolism, nature, and mythological fiction, her work bridges ancient traditions with contemporary social imagination. Having studied Vedic and West African ritual lineages, she infuses her artistic practice and mentorship with a deep focus on embodiment, intuition, and ancestral memory.

She is a graduate of the Spéos Photographic Institute in Paris and spent nine formative years in Lagos, Nigeria, as an artist and curator for the African Artists’ Foundation and LagosPhoto Festival. This pivotal period fostered a collaborative, culturally embedded approach that honors West African visual traditions. Today, this global lens continues to shape her creative ecosystems, bridging sacred lineages with contemporary artistic expression.

Medina received First Prize in the Magnum Photography Award 2017.

Exhibition History | Bozar Expo, Untitled Miami, LagosPhoto Festival and Investec Cape Town Art Fair, with features in Vogue, Smithsonian Magazine, and National Geographic.

 

PERMANENT COLLECTIONS 

Fitchburg Art Museum 
General Mills Private Art Collection

Fondation Zinsou, Benin
Angeline Scherf (curator Louis Vuitton Foundation, 2020)

 

SOLO EXHIBITION

2019     INVESTEC Cape Town Art Fair, Art Twenty One Gallery, solo ft. Chroma:                   An Ode to J.D. Ojeikere (Chroma)

GROUP EXHIBITIONS

2026    Fitchburg Art Museum: centennial exhibition Kaleidoscope, Feb. 21

 

2025    Fela Anikulapo-Kuti: Afrobeat Rebellion, Lagos, Nigeria Oct 12  ft. Chroma

 

              Pensiericorrenti Festival, Puglia, in Valle d’Itria, ft. Enshroud
              Inverted Safari, Manege, St Petersburg Russia, ft. Enshroud

 

2022     University of Houston, College of Arch & Design, ft. Chroma & Chromatin

 

2021     Guernsey Photography Festival, ft. Enshroud

 

2020     Fund for Global Human Rights, Face to Face, London, ft. Enshroud
              Floor One 9, Art Twenty One Gallery, Lagos, Nigeria ft. Chroma

 

2019     Kunstgewerbemuseum (Museum of Decorative Arts), Berlin, ft unVeiled &               Queering Spaces
             Art Summit Nigeria, ft. unVeiled

 

2018    MoAD (Museum of the African Diaspora - A Smithsonian Affiliate) Digitalia              San Francisco, ft. Chromatin
            Art Miami Catherine Edelman Gallery, ft. Chroma
            IAF Basel Basel Switzerland, ft. Chroma
            Catherine Edelman Gallery, How do you see me now? Chicago, ft. Chroma
            Voies Off Festival, Les Rencontres d’Arles, ft. Chroma
            Les Balades, Photographiques De Daoulas, France. Medina Dugger:                          Chroma (Ville de Daoulas) & J.D. Okhai Ojeikere: Hairstyles

            (Abbaye de Daoulas)

 

2017     LagosPhoto Festival, ft video Chromatin
             Odessa/Batumi Photo Days Festival ft. Chroma

 

2016     Bozar Expo, Dey Your Lane, Brussels, Belgium, ft. Funhouse

 

2012     LagosPhoto Festival, ft. Seven Days in the Life of Amos

 

2011     African Artists' Foundation ‘Female Artists', ft. Memory
            Spéos, Galerie Arlatino, Arles France, ft. Boxed


 

PUBLICATIONS 

 

2023

MUDEC (publication by Museum of Cultures of Milan) United Rainbow. Bartering Hunger with Hope (featured article & text)

2021

The National Geographic Celebrating the proud culture behind Nigerian Hairstyles, Print edition, July.

2020

The Guardian UK ft. Enshroud from Face to Face exhibition, Sept.

Europe Now Journal, Council for European Studies (CES), Enshroud, Jan.

2019

The Guardian UK, A celebration of Muslim women in Lagos – in pictures, Nov.

Times Literary Supplement (cover image), May.

ze.tt A tribute to the gorgeous hairstyles of Nigerian women, May.

Design Indaba, The African crown reimagined.

Smithsonian Magazine In Nigeria, the Veil Is a Fashion Statement, Artist Medina Dugger finds joy in a colorful yet complicated symbol of faith, March.

Google Arts & Culture ft. Chromatin.

The Art Momentum Medina Dugger: A kaleidoscope of almost audible colours, March.

2018

Something We Africans Got, Fractales et pratiques culturelles en Afrique.

BBC News, Chicago: Three artists challenging African-American stereotypes. 

Chicago Tribune, Exhibition stares down portrayals of blackness in art history, corporate environments, Sept. 

This is Colossal Nigerian Hair Culture Documented in Rainbow-Hued Portraits by  Medina Dugger, Aug. 

Art Africa ft Chromatin (cover) Issue 11, March.

2017  

Vogue This Fashion-Forward Musician Is Nigeria’s Coolest Front Row Star, Nov.

Marie Claire South Africa, ft. Chroma, July. 

Dazed, Beautiful photos bring ancient hair traditions to the future, July. 

CNN Africa, June. 

Collectible Dry Lagos is not a sleepy city, everyone here has somewhere to be pronto

 

2014  

The New York Times Robert Sherrill, Author Who Skewered Right and Left, Dies at 89, Aug. 

 

CURATORIAL

2018-2020   Co-Founder Nigerian-based art print company artoja.org

2017-Present  Creative Consultant/Contributing Editor Moon Man Magazine for Moon Man Studios, UK

2015-Present  Nominator for Prix Pictet, International Award for Photography

2011-2015 Curator, African Artists' Foundation + LagosPhoto festival, Lagos, Nigeria

EDUCATION

​​2025

Restorative Hypnotherapy with Spiritual Hypnotherapist Leo Max

2024

The Ayurvedic Institute 

Pain Reprocessing Therapy, Neuroplasticity Practitioner Training

The Art Students League of New York 

2023 Creative Wellness Service Initiative (CWSI) with the International Expressive Arts Therapy Association (IEATA)

2022 Certified 6th generation Usui Tibetan & Incan Q'ero Shamanic Reiki Master 

2021  Toronto School of Art

2010  Spéos Photographic Institute, Paris France

2011   Internship with Philippe Bachelier + Sebastião Salgado, Paris France

2006 California State University Fresno, Bachelor of Science in Nursing. Employed Neonatal ICU Nurse at Valley Children's Hospital 2006-2010

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by: Bénédicte Kurzen

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